tick, tick…BOOM! editors on making a perfect musical number
Myron Kerstein has been editing musicals on the big screen since 2003’s Camp and continued working in the genre by cutting 2009’s Fame remake, Glee: The 3D Concert Movie, and last year’s rousing adaptation of Lin-Manuel Miranda’s In the Heights. Andrew Weisblum is no stranger to musicals either, having worked on 2002’s Oscar-winning Chicago, but…